The Critical Noise 2011 Sound of the Year is:
The Global Cry for Freedom and Fairness
You have a dream.
You have a voice.
Will the world hear it?
Or will you suffer in silence?
From Arab Spring to American Autumn, the meek, the poor, the downtrodden, have used the media in a way once reserved for those with access to elite connections and expensive broadcast channels: as both a megaphone and a weapon. And in so doing, they may or may not have won relief from daily tyranny, but they have increased global awareness of unjust governments and unfair markets.
They have been heard.
People of modest means have found strength in unity, and in so doing, have thrust themselves upon the world's stage, often eluding velvet ropes and manacles along the way. But many have also been arrested or died tragic deaths.
They will not disappear. They will not die in vain.
This chorus of discontent has compelled the powerful to listen, and the effect has caused nothing less than a tectonic shift of the global political and economic paradigm.
Indeed, tremors can still be felt. Without a doubt, they will resonate for years to come.
But although the cries of any given group of individuals were not always in unison, they were always identifiable as a collective appeal for Human Rights and dignity –for equal opportunity and a democratic ethos – to be distinguished from the law of the jungle and a sometimes predatory economic system that has for far too long passed as politics and business as usual.
The Critical Noise blog congratulates those who have won their freedom; and wishes continued support for those still fighting for their dreams (and as often our own); and extends our prayers to all who have summoned the courage to add a voice to what has been both a communal and a transnational chorus of voices using the power of sound and media to change the world.
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Photo Credit: The London Evening Post
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HOW THE SOUND OF THE YEAR IS SELECTED:
The Critical Noise Sound of the Year goes to that sound source, event, entity, happening or concept which so effectively produces wide response and reaction, whether intentional or not, such that it stirs collective emotion, inspires discussion, incites action, or otherwise lends itself to cultural analysis and resonates across the globe.
Prior Sound of the Year winners include The Vuvuzela (2010) and Auto-Tune (2009)