If I recall correctly, after a year interning I began my professional career ten years ago today. My first job was making folder tabs for the production department. I had already been interning for the company for a year. They brought me on as a Production Assistant at 13K a year. That meant I worked 80 hour weeks and did everything from make dubs (cassettes, DATs, 1/4") to answering phones. I loved it.
In the last decade I have worked with hundreds of musicians and singers, and with a number of extremely talented composers and sound designers. I tried to keep a running list of the projects I worked on, but the first two or three years are basically lost to me –It's all just one big spot. By the time I gained some seniority I had my act together and started to keep closer tab on the many projects that I worked on by keeping a professional journal, something I recommend to just about everyone.
Still, over the years I was commissioned to produce what now seems like innumerable sessions. I'm sure I produced nearly every style of music known to man: Rock, Jazz, Techno –and every little sub genre or trend buried within. Even World Music, from all over the world: Bulgaria, Africa, India, France, Scotland, Mexico –you name it, and often using musicians indigenous to those countries.
I always liked giving a chart to a jazz trio or quartet and hearing what they could kick out.
I always loved a big orchestral session.
And how I loved Gospel sessions –Heaven on earth, burn it to a hard drive.
And I always loved every chance we had to mix it all up.
Friends, I hope we all have a chance to cross paths again when we can enjoy the playback of all those magical performances. I lived for those moments.